The Marshall Woburn III is a wired home speaker with the retro-style look that the company is known for. The RCA and HDMI ARC ports make it stand out from other speakers on the market. They also make it easy to connect to other things in your living room, like your TV. It has features like a placement adjustment tool that change the device’s output based on where it’s placed in the room to give you the best sound possible.
It’s more expensive than the Marshall Acton III and the Marshall Stanmore III, which are also made by the same company. You can also change the bass and high levels to get the sound you want. It reproduces a long bass, so you can feel the deep thump and rumble in bass-heavy music styles like EDM and hip-hop. It has a lot of options to make your listening experience better, such as an app-based placement compensation tool. You can tell it where in your living room the speaker is, like next to a wall or in a corner.
[content-egg-block template=offers_logo hide=price]Specification
- Frequency range: 45 Hz – 20 kHz
- Tweeter: 2 x 1″ (2.54 cm) dome tweeters
- Woofer: 1 x 8″ (20.32 cm) bass reflex woofer
- Power output: 90 watts (3 x 30 watts)
Where to get Marshall Woburn III?
An incredible wall of noise with an enormous vocal range to contend with, ranging from guttural to banshee-like, which the Woburn perfectly reproduced with eerie precision. This tune has a tempo that doesn’t give the speakers much time to recover, and the result can be a large mushy mess, especially when played at full volume; nonetheless, the Woburn maintains magnificently in control of the situation.
While we’re on the topic of voice range, I’d like to point out that it’s difficult for a small speaker to provide a rounded sound because it appears that Freddie was recorded at twice the level of everyone else (that’s not a criticism) until around halfway through the song. This song is the one on my playlist that comes the closest to sounding like classical music, and it is full of nuance up until the point where an overwhelming brass part threatens to force speaker cones into overdrive.