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The Top 10 Netflix Original Stand-Up Comedies
When the streamer started debuting in real-time specials over the past decade, he entered a world with a good-looking structure. Comedy Central had the realest stand-up every year, but HBO was still the biggest game in town, the chance every comedian had been waiting for. Netflix quickly changed that when starting production up to a recent week-long special, opening the comedy barrier to a home audience hungry for the latest content. Netflix hasn’t stood still with just an hour a week, though it’s watched with formats and release schedules, allowing younger comics to create a national premiere with 15-minute specials and allowing some comedians to drop multiple career specials at once.
Netflix quickly defeated comedy not just because of the sheer volume of content, but because of a keen critical eye that helped turn comedians like Ali Wong and Hannah Gadsby into standout stars. So now, while the specials are less and farther apart, they are still the similar mix of up-and-newcomers and big names that Netflix builds its reputation as a stand-up specials in. For example, the latest specials include departures from rising star Mo Amer and established star Aziz Ansari.
Check out the List of the Best Netflix Original StandsUp Comedies
Inside
Within strokes, not chronologically, a year in Burnham’s life, spent in a small loft-like room, creating this special comedy to keep despair at bay. It starts upbeat, with a song sending up his white savior complex, promising to “heal the world with comedy”.
Messianic imagery is repeated as Burnham, with a scraggly beard, swings his pants. There are also Lewis Carroll connotations: our host is too big for the door in and out of that mirror word, where he turns 30 for our pleasure, debates geopolitics with a sock puppet, and, at one point, comments recursively on images of the previous scene.
Fear of the dark
Trevor Noah has proven to be a divisive figure since taking over from Jon Stewart as host of Comedy Central’s The Daily Show. That was five years ago, and since then, the South African comic artist has been increasingly impressed as his own strengths have emerged.
Afraid of the Dark, then, is the place to start, and it makes it clear that Noah’s strength is not in quick sentences, but in his easygoing, conversational style. He’s a charming presence behind a microphone, pacing back and forth with an easygoing air that belies his precise delivery.
nanette
Hannah Gadsby knows enemies are going to hate her, and she’s happily giving them more fodder for the fire. Fortunately, this tactic works well for the rest of us, who think Gadsby’s eclectic mix of thought-provoking comedy, patriarchy-defying, and art history lesson is the best thing since sliced bread.
While “Douglas” offers what Gadbsy calls “a gentle, very good-natured stab at patriarchy,” its most trivial passage is one of the show’s best gags. She gives the Americans a well-deserved beating during a particularly funny section on language differences between English-speaking countries.
tambourine
In a comedy scene with rapidly changing taste standards, special new ups from older statesmen of taboo humor arrive with a slight sense of seasickness. Whether they’ll break away from the property to challenge the status quo or stick their foot in their mouths is anyone’s guess, and Chris Rock likes to keep his audience in suspense.
But being Chris Rock, these shocks quickly reveal themselves in the service of a higher and more scathingly fair point. His meditation on the police in America is well-measured and true, acknowledging that a handful of bad apples are giving the police a bad name, but only before it gets to the sage. conclusion that “some professions have no room for bad apples”.
old baby
She delivers her routine in a mirror. She hands over her routine to her husband. (Nearby, a pug snores.) She delivers her routine to four people sitting on a bench outside her house. The bank follows back into a house. The crowd grew. There is a break in the market. The routine is now being delivered to a corner of a bookstore. There is another break for the market.
A show for four people is just as legit as a show for thousands. Part of you might be programmed to think it’s Steve Martin marching through a stadium or Letterman challenging Clint Eastwood to a fight during an episode of Johnny Carson, but what kind of strategy do you have for when that pattern doesn’t repeat itself? how is there the very good chance that it won’t?
Repertoire
Divided into four episodes, James Acaster’s Repertoire is a stand-up well written, witty and incredibly funny.up series from start to finish. With a variety of different topics explored and a perfect use of silence to accentuate the jokes being said, James Acaster’s four-part comedy is an excellent show and worth checking out.
each sta-up can also be seen individually here, though they all work together as a cohesive whole, with some jokes spilling over into other episodes for maximum comedic effect. Stand-ups undoubtedly get better as they go along, with the final 2 episodes on point and perfectly executed.
one of the great
One of the Great is prone to adopt such bold proclamations. And while the vanity and self-aggrandizement displayed here are played for laughs, there’s little doubt that this special was indeed designed to make a big impact. As is the case with many high-profile specialty booths these days, Peretti opens hers with a little pre-recorded silliness.
Reflecting the grandiose nature of the special, comedian and director Lance Bangs designs an equally grandiose intro segment. Despite this audacious opening, a good deal of the special’s material actually emerges from a much more relatable and introspective place, whether it’s discussing the agony of conversation, the frustrations of dealing with “hot” girls and their egos, or the lighthearted allure of getting in. home.
Shirt Comedy
Buress plays up her own physicality here, leading her own LASIK eye surgery to a tremendous part about blindness and Stevie Wonder conspiracy theories. At 32, he has the poise and experience to talk about transitioning into adulthood and the struggles of losing your identity when you’ve just looked like you might not be of age.
He addresses his role in renewing interest in Bill Cosby’s alleged criminal behavior, explaining that the media found him odd in his coverage (“Homeless Comedian Hannibal Buress… Goes After Cosby”) and admitted that when it comes to dating , he’s not a good first fuck (“My dick has to grow on you like the Yeezus album”).
millennium elders
Over the course of her three previous Netflix specials, Iliza has made her bones by staging contemporary courtship and mating rituals, particularly with respect (or disrespect) to the young women of her generation. But now, at 35 and engaged (married since she recorded this in February), Iliza realizes that, unlike most women, she doesn’t have a long, cool story to tell of how she met her man.
She will spend the better part of half an hour delving into the differences between how men and women decide to start a long-term relationship and will describe how women are taught to believe the lie or “shared fantasy”. that men will discover, save or rescue a woman from dying alone.
Look at you
Tomlinson realizes how the loss of her mother to cancer affected her childhood as well as her early ambitions, which took her out of religion and into comedy and TV credits since she was 20. from the first relationships.
She takes us through her eye-opening journey with meds (Klonopin, sleeping pills and mood stabilizers among them), how it compares to the advice her conservative religious father gave her when she was younger, and what it all means to her. move on. Which leads to some funny rhetorical questions.
Final note
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